Free Ebook Bernini: Sculpting in Clay
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Bernini: Sculpting in Clay
Free Ebook Bernini: Sculpting in Clay
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Review
Selected as a Choice Outstanding Academic Title for 2013 in the Fine Arts Category. (Outstanding Academic Title Choice 2014-01-21)"Bernini: Sculpting in Clay . . . by Ian Wardropper and others is the catalog for a magnificent exhibition . . . focusing on the Italian master's use of hand-formed terracotta models as first drafts or sketches for his supremely refined marble sculptures of the human form, including the famed angels of the Ponte Sant' Angelo in Rome. These works, which still bear traces of Bernini's fingerprints in the clay, document the artist's acute powers of observation and profound expressive gifts, offering a peek into the creative process of a truly towering figure in Baroque art.”—Jonathan Lopez, Wall Street Journal (Jonathan Lopez Wall Street Journal)“As a scholarly study of artistic process, the book is thorough and well organized, including equal shares of history and biography, art criticism, reception studies, historiography, and curatorial practice. As a catalogue of Bernini’s models, the book is equally as exhaustive, with enlarged photographs of key details, such as “striations from dry brush smoothing” or finger marks that indicate Bernini’s fast and free style.”—Publishers Weekly (Publishers Weekly)
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About the Author
C. D. Dickerson III is curator of European Art at the Kimbell Museum of Art, Fort Worth. Anthony Sigel is conservator of objects and sculpture at the Straus Center for Conservation and Technical Studies, Harvard Art Museums. Ian Wardropper is director of The Frick Collection, New York.
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Product details
Hardcover: 432 pages
Publisher: Metropolitan Museum of Art; 1st Edition edition (October 30, 2012)
Language: English
ISBN-10: 0300185006
ISBN-13: 978-0300185003
Product Dimensions:
9.8 x 1.2 x 11.5 inches
Shipping Weight: 5.8 pounds
Average Customer Review:
4.7 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#249,180 in Books (See Top 100 in Books)
This is a superb book, an argument for the continued existence of hard copies in addtion to e-books with all their useful attributes. It is a beautiful artefact, presenting outstanding photographs coupled with insightful text from a variety of experts. The subject is a specialist angle on the work of Gianlorenzo Bernini, supreme maestro of the Italian Baroque. For around two centuries his work was out of fashion. Charles Dickens, for example, when visiting Rome, considered the angels on the Ponte Sant'Angelo to be hideous - in line with the taste of his contemporaries he disliked the swirling shapes and dramatic poses so expressive of emotion. However, art criticism has once more come to appreciate the extraordinary works of this prolific genius. Many books on his oeuvre have been published. What makes this one exceptional, is that it focuses not on Bernini's marble sculpture as such,but on the terracotta models he made in his workshop, where a large team of assistants helped him create the staggering output of artworks he produced in his lifetime. The Metropolitan Museum in New York presented an exhibition of the artist's models entitled: "Bernini: Sculpting in Clay," October 2012 to Jan 2013, which brought together 55 of the existing clay models from various museums. They range from small bozetti to larger modello piccolos and the occasional modello grande (life-size). A range of essays from Bernini experts provides commentary on and analysis of these models, relating them to questions and theories about the completed works, fountains, chapels and sculptures, for which they represent the artist's initial conception and more detailed vision for his stupendous works. Some still bear the imprint of the maestro's fingers as he modelled in the plastic material of clay his vision that had to be realised in marble. A must-have for Bernini lovers and students.
This book is a must for serious figurative clay sculptors. It is a rarity to have this much information and detail about the process used by Bernini or any other sculptor. The photography is exceptional in its detail and the overlay of tool direction. There is a clearer understanding of the creative role played by Bernini and his relationship with the highly skilled, talented "craftsmen" who executed his ideas.
Great coverage with numerous color photos showing preliminary clay models made towards larger sculptures showing very expressive style. Excellent for students & makers of sculpture. Most highly recommended.
You can see Bernini's original inspirations springing into form in these clay sketches which served as models for the carved marble masterpieces. All the energy of the Baroque playing from his fingertips.
Great book with insightful essays and wonderful reproductions.
Great resource for sculptors who want to see fingerprints and the bottoms and xrays of these clay figures. I saw the Bernini Museum in Rome. It is full of small terra cotta figures and have wanted to see them again. This book provides the best chance to see these amazing forms.
Wow this is a bog book and its full with great information and sculptures I mean what more could you ask for?
This analysis of Bernini's methods of working in clay has literally overwhelmed me with its attention to in-depth detail and the subtle conclusions it has put forward. The photographs of the minutest detail of a sculpture are exciting for this sculptor to behold. The ability to peer inside or underneath one of Bernini's sculptures is truly fascinating for it beckons one to travel along with Bernini on his creative journey. I strongly recommend this book as an exciting way to understand the mind and creative methods of one of the greatest sculptors of all time!
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